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| GBV |
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| J. Mascis |
"I think art is the thing that fixes culture, moment by moment." - Author Ottessa Moshfegh
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| GBV |
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| J. Mascis |
John Singleton wrote it as a college project and based it on his own life and those he knew. And he would go on to become the first Black person to be nominated for best director at the Oscars. He was the youngest ever as well. And, perhaps taking a trick from the master Alfred Hitchcock, Singleton appears in the movie as the mailman, dropping off some letters in the midst of a fistfight and not batting an eye towards it.
Ice Cube is of course a big part of why Boyz is so excellent. It was the rapper’s breakout acting role as Doughboy, who’s back from the penitentiary at the still-tender age of 17, living with his mom and star football player brother Ricky. Doughboy is not well liked by his mother and doesn’t really have many redeeming qualities, but the audience sympathizes with him anyway. Although he appears to be buying drugs in the street the morning after another young person is murdered, he also dumps out a good bit of his malt liquor. He serves as one of the movie’s prime examples of how complicated individuals are and for how little society cared about young Black men at that time in history. Would he become just another statistic?
Under the beautiful skies and palm trees of L.A., gang violence was famous in South Central, where the film is set. But even a minor disrespect like bumping into someone at a car rally could end there in someone getting blown away with guns. Singleton never expressly notes that any of the main characters are actually in gangs. It’s almost more like they idolize the gang members they see and aspire to be like them, which makes all the useless death and violence even more heartbreaking, as we’ve followed this group of friends since they were 10.
It was a great film to rewatch with my 15-year-old son. Mainstream cinema really needed this story told at the time of its release. It still sadly needs it now.
5 out of 5 stars
| Tegan and Sara visit the set. |
It was offbeat and frequently cryingly hilarious. I was always a Reggie Watts guy, and when Weird Al Yankovic replaced him for the fifth and final season (Kid Cudi was the bandleader at the end of Season 4), I was no longer as interested. I decided to go back and re-watch some of those fifth season episodes to give it another try.
Season 5 Episode 4, in which one of my favorite wave-pop groups Tegan and Sara visit. They are adorable and funny, being interviewed while host Scott Auckerman, looking like Jimmy Stewart in Rear Window, is distracted and convinced one of his weird crew members has killed another crew member. SNL’s Bobby Moynihan is nuts as a little orphan boy offering tips on making it in Hollywood. There are other plays on Alfred Hitchcock films through the episode, which is as good as Season 5 gets. 4.5 out of 5 stars
Season 5 Episode 9 is dominated by Weird Al’s soap-opera-acting brother, played by Al, swooping in with his soapy music, romantic ways, and clips from his Handsome Harbor show. I usually love guest Kristen Schaal but she never really seems too comfortable in her interview, which descends into her longing to return to her childhood sheep farm. Paul Rust, of the great Netflix show Love, also stops by for an intense, uncomfortable, and nonsensical bit called “New No Nos.” 3.5 out of 5 stars
Season 5 Episode 10 starts with glimpses of Haley Joel Osment before Scott announces that it’s the 100th and final episode and that he is getting married to a woman named Vanna to celebrate it. But then it turns into a skit show - not something that usually happens - and Scott gets amnesia, failing to remember major events in his life like when he was a doo-wop star and when he gave up a role he won to Zack Galifianakis because Scott was a bigger star and generous. The episode does not end up actually being the last. It's one of my least favorite Comedy Bang! Bang! episodes of all time. 2.5 out of 5 stars
Season 5 Episode 11 really starts to show the petering out of the show. Despite Kaley Cuoco’s cute interview, featuring her paranoia that the cameramen are really paparazzi, the group of early-history figures like Paul Bunyan that Scott attempts to employ to make America great again is a bit that really doesn’t work well. Guest Karen selling her Karen Water is off-the-wall and helps save the episode from the ruins. 3 out of 5 stars
Season 5 Episode 13 features Gillian Jacobs dressed as Pee Wee Herman in an episode that truly goes nowhere, overtaking the afore-mentioned Episode 10 as the worst Comedy Bang! Bang! episode I’ve ever seen. 2 out of 5 stars
It’s unfortunate to say bad things about such a great show. I highly recommend you check out Seasons 1 through 4 but skip Season 5 altogether, except for the episode with Tegan and Sara.
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| Paper Plane, a key Aperol cocktail |
People kept telling me I should have an Aperol Spritz, which I finally succumbed to on our last night there. I hated it.
But recently I was intrigued to find out what all the Aperol hype is about and bought a bottle. The spirit was actually created in 1919 with a concept that having an aperitif with only 11 percent alcohol content was considered revolutionary, according to Difford's. Made from roots and herbs mostly found in Northern Italy, Aperol has hints of orange and rhubarb and a light red color.
The very first drink I tried making turned out to be excellent, and the handful of people I’ve made it for agree. It’s just the right mix of a little heavy and quite breezy and it’s called Paper Plane. Here’s how, in a martini glass, you make it:
Others on my list to make include:
Amarita is a fairly bitter drink served in a martini glass and with a long strand of lime zest as a garnish:
Pre Siesta is a relatively recent drink created in London and is served in a martini glass with an orange zest garnish. I would recommend either staying away from this one entirely (unless you like a veeery Cointreau-heavy taste) or at least add copious amounts of ice and water or fizzy water:
Having gobbled up that suspenseful psychological study, I’ve been anticipating Cline’s next move. While I have thus far bypassed her collection of short stories titled Daddy, her second novel is now out and is called The Guest. Cline, born in 1989 in California, returns to her familiar themes of adolescence, identity, and the darker aspects of human nature.
In The Guest, 22-year-old Alex has left New York City for the summer because she owes her ex-boyfriend Dom a lot of money. She begins living with an older, wealthy man named Simon on Long Island and all is going swimmingly (literally, she spends most days lazing at the beach or pool) until she commits a social error at a dinner party and Simon sends her packing back to the city.
Alex skips getting on the train and begins bouncing around from home to home in the rich beach community, first with a young group of partiers who she tricks into thinking they know her, then with a young and unhappy girl named Margaret who badly wants to be Alex’s friend, and finally into the arms of a boy named Jack whom she manipulates (or is it vice versa). All this happens while she tries to avoid Dom’s increasingly threatening messages and as she anticipates that Simon will take her back at his Labor Day party happening in several days.
Alex is a highly memorable character and the novel never leaves her side. That said, we don’t necessarily know much more about her outside of the week or so that the novel takes place. I had a lot of questions unanswered, which clearly must have been Cline’s intention … to leave Alex as a mystery. Her character is absolutely worthy of further study. The Guest could actually be a great candidate for a strong sequel exploring the questions of what happens between Alex and Simon and Dom and what all happened in Alex’s life leading up to this week that left her in such a dire series of situations.
4 out of 5 stars
Not a lot happens in Normal People (the book; I haven’t yet watched the Hulu series) but then again, every little thing is meticulously and enjoyably described in the lives of the two central characters. It’s an odd mix that makes for a page turner by Ireland’s Sally Rooney.
4 out of 5 stars
Here is a summary I wrote and never published a couple of years ago when I read the novel during the pandemic (with lots of spoilers included):
Connell Waldron and Marianne, who have a relationship that is unknown to their classmates and happens because Connell’s mom Lorraine is the housekeeper for Marianne’s rich family.
She doesn’t participate in any school activities but is mandated one day to go watch the soccer game, during which Connell scores a big goal and she finds herself becoming attracted to him. One day in her room, he gives her her first kiss. Another day, she asks if he’ll take off her clothes but he declines because his mother is cleaning downstairs.
They have sex for the first time, she as a virgin, at his house. His mom returns, finds him washing his sheets, and talks openly about how she knows what he’s up to and that she “must be the most permissive mother” and that he should at least be wearing protection. As they continue to experiment with sex, Connell wonders why he is with her, considering that she is not particularly attractive.
Marianne decides to drink for a change at the town’s nightclub. Karen and Connell are nice to her but Rachel is mean and a guy named Pat squeezes and hurts her boob. Marianne goes back to Connell’s house and she says her dad used to hit her and her mom, and Connell confesses that he loves her. His friends begin to act like they know Connell has slept with Marianne and it forces him to go into cold sweats and puke one morning at school. He eventually tells her he’s taking Rachel to the Debs, which causes her to be infuriated and quit school.
When Connell returns home in the fall from college in Dublin, he and Marianne see each other at a party. He tells her he broke up with Rachel in the summer. He had not enjoyed their relationship.
In the spring, the two of them go to a party even though Connell is now dating Theresa. Marianne indulges in coke, weed, and alcohol with her wild friend Peggy and successful friend Joanna. She tries to get Connell to have sex with her but he won’t do it. But days later they do. A few months later, they admit their relationship to Peggy, who tries to get them to have a threesome, but they are both uncomfortable with the idea.
Connell moves home for the summer while Marianne stays in Dublin. He tells her he wants to see other people. She actually does get another boyfriend, one more of her wealth class. She later tells Connell that she has asked this new boyfriend to be rough with her during sex. One of his high school teachers, Paula Neary, tries to seduce him when he is very drunk and he runs away. He tells Marianne later and she suddenly wants to harm Ms. Neary.
On Christmas Day, Marianne’s brother Alan told her people in town were talking about her and spit in her face. Her mom Denise also admonished her for thinking she’s special. After Connell gets mugged, he calls Marianne to borrow money for a taxi, arrives at her house, and stays after her boyfriend Jamie leaves. He tells her he’s had a girlfriend for a while which is a first in all the time they’ve been friends. They both earn scholarships. They have been writing letters to each other over these long periods apart and will continue to do so when Marianne studies abroad in Sweden in the fall.
Connell and Helen run into Marianne one day and Helen realizes those two had a past. She then becomes determined to get to know her and finds Marianne to be self-centered and slutty. Jaimie and Marianne have a fight and Connell breaks it up. She sleeps in his room and tells him about how abusive her family is and he doesn’t understand why she’s never told him before. He tries to make out with her but she declines.
Months later, living in Sweden, she is dating an artist named Lukas who takes her photo a lot and plays a game denigrating her after they have sex, which she likes but it depresses her. Peggy had suggested she was mentally unwell after Marianne’s breakup with Jaimie. Joanna is the only one of those friends who sticks with her. Marianne breaks up with Lukas after he tries to take nude photos of her and ties her up.
Connell sees the school psychologist and she determines he might be suicidal. (This part of the story kind of comes out of nowhere, an odd transition which must be intended to show that being apart from Marianne, when the two are clearly meant for each other, is starting to affect him. They attend their old friend Rob’s funeral (he committed suicide) and Helen is annoyed at Connell’s interactions there with Marianne, leading to their breakup two weeks later. Connell continues seeing his psychologist. He attends a reading and has an interesting conversation with the author, kickstarted by the fact that Connell says he doesn’t really see the point of readings.
Marianne moves back home and Lorraine no longer cleans her house and it’s dirty. Connell and Marianne start to make love for the first time in years but quit in the middle, she leaves, and when she gets home, her brother Alan hits her and makes her nose bleed badly. Lorraine probes Connell a little more about his relationship with Marianne, then he turns in a story he wrote to the college literary journal and they want to publish it right away. He agrees if they publish it anonymously, which they do, unedited. There were errors in the story, and he found it more distressing than pleasurable.
After Marianne leaves his house, she calls and needs help. Connell arrives at her house to find that Alan has punched her in the nose. Connell tells Alan he’ll kill him if he ever touches his sister again. Alan looks terrified. They stay at Connell’s mom’s over Christmas and kiss in front of all their old friends on New Year’s.
Connell gets accepted to a creative writing program in New York and Marianne says she’ll wait at home for him. The end.
This has been needed since before September 11, but especially since then, as Muslim Americans have rarely been presented culturally in a positive or even human light. And that topic is not avoided. In one poignant example, Ramy, lovably and somewhat slackerly played by The Daily Show's Ramy Youssef, deals with awful kneejerk and groupthink racism from his friends in a flashback to right after 9/11.
Throughout Season 1, Ramy struggles with his Egyptian roots as a first-generation Egyptian-American navigating his mid 20s in New York City. The central theme of the show deals with how he is torn between his religious faith and his desire to live a modern life.
Ramy dates the granddaughter of an orthodox rabbi, hangs with his wheelchair-bound buddy, his mom struggles with a midlife crisis while driving for Lyft, his 25-year-old sister just wants to be let out of the house (and when she does, she hooks up with an creepy white dude), and Ramy eventually makes a pilgrimage to Cairo.
Really great stuff, and I actually didn't expect the show to be as entertaining as it is. I wrongly assumed it would be a little too heavy. Youssef, who created the show, is able to find humor in the most difficult situations, which makes for some enjoyable watching.
4.5 out of 5 stars