Showing posts with label DC. Show all posts
Showing posts with label DC. Show all posts

Friday, June 21, 2024

Wilco continues to play rock concerts that just can't be beat for me

I've seen quite a few Wilco concerts, and it's good to know the band still has it. Last night's show at Wolftrap in Virginia was among the best ones I've seen. I wasn't sure if they would call it in on the way to the curated gathering the band puts together every summer called Solid Sound, but instead it appeared the players were in complete synchronicity with each other, and Wolftraps's sound on the lawn was very crisp.

One way to describe what I heard is the way Glen Kotche described his instrument back in 2004's The Wilco Book (which is a fun picture book about the making of the album A Ghost Is Born):

"I think drums - percussion - can be used not only as a rhythym instrument, but also for color and texture (as in an orchestra). I think that the drum kit hasn't been explored enough outside the parameters of groove-based jazz or rock and that has an exciting future."


Kotche's drums bashed in pastiches when leader Jeff Tweedy wasn't singing, and sometimes when he was. Meanwhile, Tweedy is a masterful Jerry Garcia-type figurehead, with beautiful singing to guide the path with his own ripping guitar and the iconic lead playing of Nels Cline and Pat Sansone's Nels Cline-approaching talents as well. Bassist John Stiratt quietly plays up a strorm while holding everything together tightly.

The setlist:

  1. Misunderstood
  2. Forget the Flowers
  3. Handshake Drugs
  4. At Least That's What You Said
  5. I Am My Mother
  6. Cruel Country
  7. I Am Trying to Break Your Heart
  8. Meant to Be
  9. If I Ever Was a Child
  10. Theologians
  11. Cousin
  12. Bird Without a Tail / Base of My Skull
  13. Hummingbird
  14. Evicted
  15. Box Full of Letters
  16. I'm Always in Love
  17. Jesus, Etc.
  18. Impossible Germany
  19. Heavy Metal Drummer
  20. A Shot in the Arm
Encore:
  1. California Stars (Billy Bragg & Wilco cover)
  2. Falling Apart (Right Now)
  3. Via Chicago
  4. Spiders (Kidsmoke)
"Meant to Be" and "Evicted" are great new entries into the Wilco cannon from Cousin (my 9th-favorite album of 2023). Look at all those other classic entries into the set: "Misunderstood," "Handshake Drugs," "I Am Trying to Break Your Heart," "Theologians," "Hummingbird," "Box Full of Letters," "Jesus, Etc.," "Heavy Metal Drummer," "California Stars," Via Chicago," and "Spiders (Kidsmoke)." Then there's my favorite "Impossible Germany." I fear the thought of someday making a list of my favorite Wilco songs. It will not be easy.

As if I needed more evidence on a fun night under the moon with friends before a major heat wave arrives in Washington, D.C., this show cemented Wilco/Uncle Tupelo/Son Volt as my fourth-favorite band of all time. And openers Cut Worms were also very good in a Buddy Holly-meets-Grateful-Dead-way.

5 out of 5 stars

Saturday, June 15, 2024

Bye Bye Birdie flies like a butterfly through D.C.'s Kennedy Center

I have a bit of a rule that I really don't enjoy musicals. I know, I co-wrote Wiener Sausage: The Musical! Of course there are great ones out there like Hedwig and the Angry Inch. There are movies like La La Land, Grease, Yesterday, Willy Wonka, A Star is Born, The Doors, Sing Street, and the list goes on.

So, ok, I guess I tolerate and every once in a while love musicals, which made going to the Kennedy Center Thursday night to see Bye Bye Birdie a little bit of a risky situation. But, it turns out, you would have to be a seriously hardened individual to not get carried away in the relentless joy of this story of the age-old struggles between Ed Sullivan-loving parents and their risque-pop-star-loving teens.

Despite the fact that I really want to start going to theater performances again (after a lack of doing so over the past five years, especially after letting my Woolly Mammoth season pass expire), I probably would not have gone to Bye Bye without the added incentive of seeing my wife's cousin Caroline Aaron in action. She's a renowned actor well-known to audiences from her roles in Woody Allen movies, The Marvelous Mrs. Maisel, Edward Scissorhands, Curb Your Enthusiasm, and many more. This was the first time I've seen her on stage, and she doesn't disappoint as the curmudgeonly, racist mother of a record executive named Albert who has dreams of leaving the business, settling down with his girl Rosie, and becoming an English teacher.

With Albert's main client, Conrad Birdie, getting drafted into the military, this seems like the time for Rosie to convince Albert to make a clean break from his occupation. She comes up with a plan for Albert to immediately write a song for Conrad to sing on the Ed Sullivan Show before he leaves and to give "one last kiss" to a lucky member of Birdie's fan club. That's where the other side of the story comes in: Kim from Sweet Apple, Ohio is a member of the fan club and wins the kiss, but this causes strife with her steady boyfriend Hugo and her dad, played hilariously by Richard Kind, of Red Oaks, Scrubs, Curb Your Enthusiasm, Mad About You, and many others.

Bye Bye Birdie has a rich history. here are some interesting nuggets about the show:

  • The script was inspired by Elvis Presley getting drafted into the Army.
  • Conrad Birdie was a play on country singer Conway Twitty's name.
  • The original Broadway production starting in 1960 starred Dick Van Dyke, Chita Rivera, and Paul Lynde.
  • In this new production, Ephraim Sykes plays Birdie, and he is well known for his roles in Hamilton, Vinyl, and 30 Rock.
  • "Put On a Happy Face" is by far the song I recognized the most before seeing the show.
All of the songs are catchy in the production, the orchestra is magnificant, and the dancers are incredibly talented. My minor complaints are that I think some of the numbers are a little too long and, with such a thin story line, the fare is air light (not necessarily a bad thing in these often dark times).

4 out of 5 stars

Sunday, April 28, 2024

Teenage Fanclub returns for another great appearance at the 9:30 Club

Friday night marked the fourth time I’ve seen the band from Glasgow that I'm sure I would rank among my top 15 bands of all time. Teenage Fanclub played a tight 90-minute set that was - as to be expected from such harmonious songsmiths, who have never been capable of writing a band tune - as glorious as any self-respecting indie-rocker who came of age in the 1990s would expect.

One-third of the classic songwriting trio, Gerard Love, has retired, so his songs such as “Star Sign” were sadly missing from the setlist. But Stephen Black from Wales filled in ably on bass and also opened the night with a solo performance under the name Sweet Baboo. (I'm not sure why he was the bassist, as I thought the regular band member was still Dave McGowan, who doubles on bass for Belle and Sebastian.) Euros Childs is also an excellent addition to the band, as I've been a fan of his weirdo band Gorky’s Zygotic Mynci for a long time and his harmonies and keyboard work adds plenty to the Fanclub.

Norman Blake and Raymond McGinley are in a severly underrated league of their own as the band's now-primary songwriters and guitarists.

The show at the 9:30 Club in Washington, D.C. was loaded with numbers from their latest release, 2023's Nothing Lasts Forever, which wasn't such a bad thing since I ranked that my 18th favorite album of 2023. Classic 1990s-era highlights included "Alcoholiday," "The Concept," "What You Do to Me," and "Metal Baby" from 1991's Bandwagonesque; "Your Love is the Place Where I Come From" off 1997's Songs From Northern Britain; and of course the closer and highlight, "Everything Flows" from 1990's A Catholic Education.

My only minor complaint was the lack of any songs from 1993's Thirteen or 1995's Grand Prix, but getting a 20-song set means there really wasn't much wrong on this night. It was also a blast getting to hang out with my neighbor buddies Brian and Brian (not Bryan, as we reiterated throughout the night), Scott, and Linda and eating delicious pizza-by-the-slice at Andy's Pizza across the street.

4.5 out of 5 stars

Thursday, March 14, 2024

After a lifetime of cheering for the Tarheels, I finally get to see them live

I've been a fan of the University of North Carolina's hoops team since I was a pre-teen, when Michael Jordan was pouring in buckets and wagging his tongue. Nobody has ever surpassed MJ as my favorite Heel (see this 2009 list of my 33 favorites), but this year's team is exciting and RJ Davis and Armando Bacot are already among Chapel Hill's long list of legends.

In all these years, I'd somehow never seen UNC live, but that streak ended today when the Tarheels visited Capital One Arena in Washington D.C.'s Chinatown. I've been attending Georgetown games at this arena for many years and have become disillusioned by the overall experience at the venue. The combination of years of abysmal play by the Hoyas and the lack of any good food and drink vendors bothering to show up during those low-rent basketball displays has tainted my opinion on CapOne, but the place was alive and hopping for the Atlantic Coast Conference Tournament's quarterfinals.

Little Miner Taco was miles above the basic options at Georgetown games. The two tacos I had with a side of corn hit the spot for an early lunch, starting the event out right and avoiding any day-destroying, fried-food hangovers. 

My seat in the nosebleed upper deck was only $20 after fees and I enjoyed the perspective surprisingly quite a bit. The tourney’s #9 seed Florida State kept the game close for the first 10 minutes or so, then top-seed Carolina gradually built a bigger and bigger lead, winning 92-67, with Davis and Bacot dominating and the rest of the team turning in a really scrappy performance, including lots of time for the talented second- and third-team players. The Heels have already won the ACC regular season and look primed for further success in this tournament and then March Madness.

Tuesday, February 27, 2024

Pop Culture Presidents: #3 Thomas Jefferson

Thomas Jefferson was elected in 1801 as the third U.S. president, and this marked the first time the press played a major role in persuading the public, transforming what had been a polite affair during the elections of George Washington and John Adams into a bitter partisan fight. Much like today's Republicans, Jefferson believed executive powers were excessive and promised to dismantle the federal government he would be leading.

He would be the first president in the new capital city, Washington, D.C. - a "mosquito-infested swamp with ... stumps still protruding" all down the main street, Pennsylvania Avenue.

Sex

This would probably be considered the "doozy" section when it comes to Jefferson. His wife, Martha Jefferson, had died way back in 1782, which means Thomas had been widowed for a long time before he took office. Being taller than even George Washington might have made him attractive to suiters; however, Jefferson negated some of that handsomeness by his often slouched way of sitting and his tendency to greet ambassadors in his "slippers and shirtsleeves." His wife had been described as pretty before dying from childbirth complications. The daughter they had would also die at the age of three. 

It gets, believe it or not, far rougher here. Jefferson would take up with Sally Hemings, one of his slaves, who happened to be a half-sister of Martha's. Sally was the child a Martha's father and one of his own slaves. Back to Thomas, he had six children with Sally and maintained their relationship for decades. There is some debate as to whether this was a consensual relationship. But that's ridiculous because Jefferson owned her, which qualifies him as one of the few U.S. presidents who can qualify for the title rapist. Despite his own complicated relationship with slavery, Jefferson succeeded in getting Congress to ban the importation of slaves in 1807.

Drugs

Throughout his adult life, Jefferson spent lavishly on wine and beer, and even attempted to cultivate wine grapes at Monticello. But it doesn't appear he did drugs very much, at least until very late in his life when he acquired chronic diarrhea. Although those poops may have been the cause of his ultimate demise, he used laudanum to ease the pain. He noted in his letters that the drug had become a habit, and he appears to have had more success growing opium at Monticello than he had earlier with wine grapes.

Rock n' Roll

Jefferson loved playing music and listening to it, he liked to draw, and he was also a huge Shakespeare fan, but there isn't much other evidence that he was a true rock n' roll president. Unless you consider that he had one of his slaves apprentice with a top French chef, which resulted in Jefferson being able to claim that he introduced macaroni and cheese and french fries to the U.S.

Policy

Jefferson followed through as a governmental minimalist by writing, rather than presenting in person, his legislative proposals to Congress. He rarely appeared publicly - making only two speeches (his inaugurations) over eight years - other than on his horseback rides in D.C.’s Rock Creek Park.

His main goal was to eliminate the national debt, which he calculated he could do in seven years if the federal government operated on a budget of $2 million annually over that span. He even cut the city’s 130 federal employees by nearly half, partly as a way to "drain the swamp" of holdovers from opposition parties. His dream to eliminate the rest was stymied when Napoleon, in 1803, busy focusing on the Anglo-French War, sold the Louisiana Territory to the Union for $12 million. Jefferson recognized the possibilities of nearly doubling the country’s land mass. When his advisors told him it would take a constitutional amendment to proceed with such a large land deal, Jefferson decided to skip that process and cut the deal before Napoleon could withdraw the sale offer. This also meant that Jefferson's planned debt elimination would not happen, but the big blue skies of the west were calling. He got Lewis and Clark to begin their exploration even before the deal was done, which, even under the pretense of science and as "a literary pursuit," was illegal according to international law.

In other land-use news and accomplishments, in 1806, during the 8-year Jefferson presidency, Congress authorized the building of the first public road, from Cumberland, Maryland to Wheeling, West Virginia.

His second term was marred by the ongoing Anglo-French War, which caused troubles in the Caribbean and forced Jefferson to halt trade, giving the federal government a huge role in enforcing his Embargo Act - like the Louisiana Purchase, a contradiction to his limited-government principles - and severely crippling the economy.

See the rest of this series on Pop Culture Presidents.

Sunday, December 3, 2023

Velocity Girl takes me back to college at D.C. reunion show

Some bands always feel like they are yours alone. Not enough people ever got into them despite how much they strike a chord personally. In college I rode in the back of a camper truck (highly illegal now) all the way from Southern Illinois to Breckenridge, Colorado for a ski trip. And one of the main things I remember about that trip was listening to Copacetic and Simpatico, the first two Velocity Girl albums, over and over.

I still love hearing those songs and apparently, over the years, quite a few others have kept them close to heart because I got to see the first of two sold-out shows at Black Cat in Washington D.C. on Friday night amongst an enthusiastic crowd.

And, in reality, Velocity Girl was never mine alone. The band’s label, Sub Pop, gave the debut a publicity push that it really only matched with Nirvana’s debut Bleach.

On Friday, VG played excellently, even though it hasn’t played more than a few shows in the past 25 or so years and the last album showed up in 1996. (While information in music mags has been tough to find in terms of what the band members have been up to over the years, guitarist Archie Moore has been working as a recording engineer and is attempting to make Copacetic sound better for a future re-release and singer Sarah Shannon released two solo albums and has a bunch of releases with her kid band in Seattle called The Not-Its!).

The problem with the show was Black Cat’s sound. Shannon’s voice was buried in the mix and then the overall sound suddenly improved halfway through the set, which made it clear the sound people realized after many songs that something was wrong and, oh well, they were finally going to get around to doing something about it. 

I’ve really scaled back my attendance at Black Cat in recent years, and I was writing about what bad sound the club (which I would love to love) sometimes has even way back in 2011 at the Yuck show. Perhaps that’s also because we’ve been spoiled in this town by the consistent excellence of sound quality at other venues like the 9:30 Club and The Anthem.

But back to Velocity Girl: the band played excellently and is surprisingly loud on stage. Apparently that’s always been the case, it’s just that I had never gotten to see them live until now. The highlights from debut Copacetic included “Audrey’s Eyes,” “Crazy Town,” and “Pop Loser.” The best moments from second album Simpatico were “Drug Girls,” “Sorry Again,” and the Pixies-like “I Can’t Stop Smiling.”

Velocity Girl was 5 out of 5 stars, but Black Cat’s sound was 3 out of 5 stars (at best), making the overall show 4 out of 5 stars

Side notes:
  • D.C.’s Tuscadero opened and we’re pretty enjoyable. Love the Happy Days reference in the band name!
  • Ate at Moi Doi across the street before the show. Very tasty Vietnamese. Go with the beef jerky, drunken noodles, and pear salad.
  • Attended the show with my wife and ran into friends Angie and Linda at the show.

Sunday, November 26, 2023

Liz Phair revisits her classic debut album at D.C.’s Anthem

When it comes to female indie rockers of the 1990s, I put Liz Phair, Juliana Hatfield, and Kim Deal at the very top. So it was awesome to finally see Phair live last night at The Anthem in Washington D.C.

After a really enjoyable opening set by Blondshell (which, at the moment, has my 21st favorite album of 2023), Phair entered with her crack band and launched right into playing 1993’s Exile in Guyville in its entirety. Even the lesser songs on that release translated really well to the live setting, but I still would have preferred more inclusions from my two favorite Phair albums: 1994’s Whip-Smart and 1998’s Whitechocolatespaceegg.

The sound at The Anthem impressively matches D.C.’s other perfect-sound-always venue The 9:30 Club. The night’s clear highlight, Fuck and Run, really popped and put on full display how wonderful the sound operators and acoustics are there.

Another clear highlight was the first song of the encore, Supernova, off of Whip-smart, which got the crowd dancing and having a great time. We had actually moved back from our 13th-row seats by that point and had a much better view than the one we started with jammed in tight on tiny chairs up front.

Johnny Feelgood and Polyester Bride were next, both from Whitechocolatespaceegg. Spanish Doors off her excellent 2021 album Soberish and Why Can’t I? from her 2003 self-titled release rounded out the encore. See the setlist.


4.5 out of 5

Sunday, November 5, 2023

Hitting baseballs and beer at DC Beer Fest

I attended my first DC Beer Fest at Nationals Park this weekend and the coolest things might not have even had to do with beer.

We got to go down on the field and into the first-base dugout. I never knew there are batting cages under the seats behind the dugout and, with my friend Jason and some his friends, we went in and hit some balls. I rocked every pitch, not bad considered we were already about an hour into the fest.

But back to the real reason we were there, the first stop we made was at the Silver Branch booth, which is a beer from Silver Spring that I drink often and is one of my favorites. 

Supposedly my other Washington D.C. regional favorites were there as well. But I never did see the Aslin, City State, or Other Half booths.

Samplings I had never had before but enjoyed included:

  • 450 North (slushy beers from Columbus, Indiana)
  • Magnify (the New Jersey brewery’s watermelon jolly rancher beer was my favorite of theirs)
  • Tucked Away (Manassas, Virginia)
  • Trouvaille (the Annexation of Puerto Rico IPA was probably my favorite of the whole evening)
  • Redbeard (Staunton, Virginia)

Sunday, October 22, 2023

Nancy Pelosi’s daughter shows that discussing our political differences is key for a more empathetic future

My main hard-news media sources are The Week Magazine (which is great because it tells all perspectives - right and left), The New York Times, and The Washington Post. To me, these seem like the most balanced and most well-funded in order to do the most in-depth and investigative journalism. 

I can’t go so far as to listen to the entertainment/ratings-driven news at the likes of FOX, Breitbart, Newsmax, or any number of other “outlets” that will tell subgroups of radical conservatives the kinds of conspiratorial misinformation they somehow want to hear. But that doesn’t mean I don’t want to hear what's being propagated in those worlds. It’s interesting, even if it is fanciful and devisive.

That’s why a minute or two of The Righting is my answer each day. It’s a website (I get it as an email newsletter) that sums up what the far-right Trumper press is talking about. That press, in short, is obsessed with thinking Biden is the anti-Christ, DeSantis will stomp out the woke that is destroying this country, and how anything that's not white and male is a clear and present danger.

The Righting also alerted me to an interesting-sounding documentary that was just released on HBO MAX, created by famed lefty politician Nancy Pelosi’s daughter Alexandra Pelosi. 

The Insurrectionist Next Door ran the risk of being a preachy takedown of the idiocy of the people who attacked the U.S Capitol on January 6, 2021. But it is instead a thoughtful and entertaining glimpse into the worlds of several Insurrectionists who each had at least loose reasoning for being there that day, and somehow it doesn’t ever feel like Pelosi is in danger around these characters, even sitting down to “break bread” - or, rather, eat cake - with a Tesla-driving Trumper who says he wants to do his part to keep the world from being destroyed. 

The documentary is definitely no glimpse into the minds of geniuses, but it does serve as a painful reminder how dreadful the mental-health crisis has become in the United States.

I found it hard to take my eyes off any of the character studies, which each lasting about 10 minutes, as Pelosi tries to understand what led them to D.C. that fateful day and also hears their backstories and what makes them tick. 

The documentary is only about 80 minutes and kicks off with a Florida muscleman (pictured) who dreamed of becoming a pro wrestler but filled the hole in his life from that failed attempt by becoming a diehard Donald Trump fanboy.

That profile is mesmerizing as is the one about a very misguided young woman (pictured at the top) from outside St. Louis who follows her uncle to D.C. only to get caught up and then later kills someone as she drives drunk down the wrong way on a highway. 

There’s the gay diehard Trump fan who plans to run for office once his sentence ends, the parkour enthusiast who just apparently went along blindly with his sister to D.C., the emotional redneck who says he’s not racist but just had to align himself with the Aryan Brotherhood to survive in prison, the family-man rapper with "Proud Boys" tattooed across his forehead, and a few other notable deplorables.

This was one of the best documentaries I’ve watched in a while. And it’s interesting to go back and see the January 6th-ers and how they are faring nearly three years later. Some have some regrets about that day, but overall, their futures do not look bright.

5 out of 5 stars

Wednesday, September 20, 2023

Lemonheads return with a bang to DC's 9:30 Club

Never doubt Evan Dando and his Lemonheads.
Evan Dando and John P. Strohm

His show with Juliana Hatfield at the 9:30 Club in Washington D.C. last December was a hot mess, especially after much anticipation for its billing as the 30th anniversary tour of It's a Shame About Ray. The two of them just chopped at their guitars, forgot lyrics, often were barely audible vocally, and basically jammed like they were learning new songs instead of playing those two-minute pop punk ditties clean and tight like they really have to be for full live enjoyment. 

I've seen Dando many times and he is right up in my pantheon of rock heroes with The Beatles, Guided by Voices, Pavement, Jeff Tweedy, Lou Reed, and the Beach Boys. And almost never fails to bring an exciting live show, including such endearing asides as letting me play his acoustic guitar one time backstage at Iota in Arlington, Virginia and signing my chest (for some reason) after one of the very best concerts I've ever seen, Soul Asylum and the Lemonheads at Mississippi Nights in St. Louis in 1992.


Now, less than a year later, he was back at the 9:30 Club last night for another 30th anniversary celebration, this time for an album equally excellent to Ray, Come On Feel the Lemonheads. And it was like night and day. The place wasn't as packed as it was on his last tour, but the people there got a heaping helping of top-notch entertainment.

I wasn't even sure until yesterday that I would go. But as the sun started to set, I hopped on my bike, unable to miss whatever would be in store. Promising videos from recent live shows combined with the promise of seeing opener John P. Strohm, largely retired for playing music, convinced me to go. I figured Strohm's consumate professionalism might keep Evan on his toes, and whether that mattered or not, I don't know, but Dando and Strohm both rocked.

Evan joins the crowd.
Strohm has his own avalanche of great songs through his years in Blake Babies, Antenna, Velo Deluxe, and with his solo material. He recruited a keyboard buddy from Philadelphia to accompany his guitar playing and treated us to Blake Babies' classic "Out There," although unfortunately he declined to play "Girl in a Box," which may be his greatest song but which he also says he'll never sing again, assumedly based on the lyrical content about literally keeping a girl in a box as his plaything. Another highlight was "Slip Away" from his country album Caledonia. The songs off his upcoming new album also sounded great.


Strohm would come back out for part of the Lemonheads set. But first Evan and drummer John Kent and bassist Farley Glavin opened with a killer version of "Killing Moon" by Echo and the Bunnymen. This was the start of what would prove to be very tight playing by the three piece and what I think is Evan's best band since the heyday of Nic Dalton and David Ryan.

The next 15 songs were Come On Feel in its entirety, with the best highlights too many to mention, but certainly included "The Great Big No," "Into Your Arms," "Down About It," Big Gay Heart," "Rick James Style," and "The Jello Fund."

Then it was Evan solo time. "The Outdoor Type" was gorgeous, Then he played a serious of country covers by Gram Parsons, Florida Georgia Line, Randy Travis, and more. 

The final act, when the band and Strohm joined back in, was probably the most powerhouse of the evening. "Hospital" rocked out of the gate, with "My Drug Buddy," "It's a Shame About Ray," and "Rudderless" each being loaded with vigor and heart. 

The band left again to let Evan play a tremendous drum-only version of "Lyin' Eyes" by the Eagles. Then the band and Strohm came back for a ripping closer of "If I Could Talk I'd Tell You." People probably thought I was nuts, but I couldn't stop singing that last song at the top of my lungs my whole bike ride back home.

5 out of 5 stars


I even got a souvenir instead of the usual super-lame Ticketmaster ticket on my phone.

Monday, August 21, 2023

Evan Dando and Keith Richards and Kate Moss and Johnny Depp and Enya and ...

In my book, Evan Dando of Lemonheads fame only has one mark against him - his terrible It's A Shame About Ray 30th Anniversary show with Juliana Hatfield at Washington D.C.'s 9:30 Club earlier this year.

Otherwise, he is one of my all-time favorite singers and songwriters. I stumbled upon a brilliant 2019 New York Times feature by Alex Williams about him that is loaded with nuggets that all Lemonheads fans will want to read if they missed it. Check out these highlights:
  • "He partied with Keith Richards and Johnny Depp and mugged in paparazzi shots with Kate Moss."
  • In a 1993 profile, Dando "perched poolside in Hollywood, mired in a depressive bout “as black as it is bottomless,” ... "Unable to speak, on doctor’s orders, he was only able to scrawl 'sorry, substance abuse' on a yellow notepad."
  • He toured with "New Age chanteuse Enya, but it ended badly when he called her out for growing a beard."
  • Speaking of his Varshons and Varshons 2 albums, Dando said, "I felt like it was sort of funny to wait 10 years and do another cover album, like I’m the biggest slacker of all time."
  • "The former prep school student who managed four Fs and one D- in his one semester at Skidmore College."
  • "With his surfer-ish looks, whimsical attitude and taste for LSD, which he said he began experimenting with in early high school, he seemed more like a hippie-era troubadour than a Generation X nihilist."
  • Dando became a teen idol and said, "I was actually celibate for eight months, at the height of it. It just got to the point where, this isn’t fun, different chicks every night."
  • "Angelina Jolie appeared in the Lemonheads’ 'It’s About Time' video." 
  • "Courtney Love popped up in tabloid shots kissing Mr. Dando, not long after her husband, Kurt Cobain, committed suicide, although both denied they were romantically involved."
  • "He joined the hard-partying members of Oasis on tour during their mid-’90s peak."
  • He "was tight with Johnny Depp, who appeared in the 'It’s a Shame About Ray' video. "We hung out together for like six months, just at his house,' Mr. Dando said of the actor. 'We would lie together. We called it 'sidewinding.' We’d take Xanax and, like 5-year-olds in the same bed, talk all night. We were really good buds until I slept with his girl.'"
  • After stints in a mental hospital and multiple rehabs, Dando "is aware that the Evan Dando death watch started decades ago, as with his friend Keith Richards. Both are still here."
  • But, he added, "I have some crazy luck and all my friends will tell you that. I caught a thousand-pound black marlin the first five hours. People say they go five years without seeing a fish that big. I got a hole-in-one once at golf. I’ve played golf three times."
  • "Whenever he feels desperate, a royalty check seems to arrive, like when Martin Scorsese used the Lemonheads cover of Simon & Garfunkel’s 'Mrs. Robinson' in The Wolf of Wall Street in 2013. 'It’s like every time I’m about to hit the skids, some 80 grand check comes in from Nowheresville.'"
So along with his music, there are endless reasons to like this riches to riches to rags/riches character.

Thursday, August 10, 2023

RIP William Friedkin

Being a graduate of Georgetown University, I of course must salute William Friedkin, who shot several scenes of his most famous movie, The Exorcist, in the Washington D.C neighborhood. When I started school there, one of my first stops had to be to the famous long, steep, concrete staircase, the "Exorcist Steps," located at the corner of Prospect and 36th Street NW, right behind The Car Barn, where most of my media-studies classes were held.

Saturday, July 29, 2023

My TennisDC season ends with heartbreaking but encouraging loss in the tourney semis


My spring TennisDC 18+ singles league has wrapped now that I bowed out in the semifinals. After perhaps my best match of the season in the quarterfinals, a 6-3, 6-4 victory at Fort Stevens (see one rally that I lose in the video above), the semis would prove to be a more difficult and chaotic battle. 

On Wednesday night, I took the first set 6-4 and felt I was continuing to play the same steady, solid type of match as the previous one. My serve has been greatly improving this summer and I was getting everything back and not missing. I wasn't going for big winners. Rather, I noted that my opponent was making errors, so my plan was to play defensively and just keep the ball in play.

He had a 5-3 lead in the second set when his errors started happening again and I was grabbing a second wind in the brutal heat of the Turkey Thicket courts. I evened things at 5-5 and then he suggested we suspend the match. Granted, despite the heat, the after-dinner masses had transpired and people were patiently waiting for courts. The claustrophobia was made even greater by the hordes of people playing pickleball right next to our court and, of course, the Summer of '23 style heat. I agreed to pick up the match later, although in retrospect trying to win the next two games and the match might have been a wiser strategy.

Regardless, we met back up Friday morning. The courts were already scorching even though we arrived before normal work hours in an attempt to get a result as early as possible. The previous session had gone two hours and this one would prove to stretch over an hour, and although the heat no doubt affected me, his youth probably meant it was rougher on me. I definitely felt less strong and less able to always get the ball back as consistently as I had been.

We broke each others' serves after reconvening at 5-5 in the second set to make it 6-6. The tiebreaker was a neck-and-neck barnburner. In fact, it was almost like I was playing myself. His style was very similar and the overall score in points must have been completely even. He was able to sneak out the tiebreaker 8-6.

Since we were running out of time before we both had to get to work, we decided to settle it with a 10-point tiebreaker rather than a full third set. It looked like I was going to pull it out when I was up 6-4. But then I double faulted and he called up a couple winners out of the depths. He came back to take the tiebreaker 10-7.

Despite the loss, I was really happy with my performance. In the Spring 1 season, I wasn't even trying to win but rather I was getting back in match shape after a few years away from singles competition. But this was Spring 2 season and going 6-2 and making it to the semis was a greater jump in performance than I expected. Hopefully I can win the Fall season.

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I tried a cool app with a free one-month trial this season called Swing Vision. You can see what the video looks like in the photo above. It records matches or practicing and analyzes how you're doing. I wasn't going to pay a $150 yearly subscription for it, but I may buy a monthly subscroption for $25 later down the line if I want to check in on how I'm doing. 

Here are a few screenshots of the kinds of stats it collects, from a little more than one set in that quarterfinal match win:

Friday, July 28, 2023

The Highballers light up Greenbelt on a stormy night

I haven’t seen my friend Kendall’s band The Highballers much lately (though not for lack of opportunities; they play a lot of shows around D.C.), but I went with my wife and my friends Kevin and Megan tonight to Greenbelt, a little town in Maryland envisioned by FDR as the first intentional community. Once there, and secure from the raging heat storm outside, we stepped in the see the band in a great little concert room behind the New Deal Cafe. 

As Kendall said, the place always gives him "a real good vibe," and indeed there was a good mix of newbies like us and regulars. The place felt like if there were a bar and restaurant (tasty BBQ) at the cohousing community where we used to live in Silver Spring, Eastern Village Cohousing. Funky, fun, intelligent people all around just enjoying their time on Earth.

The Highballers have consistently gotten tighter and better. The whole band really seems committed and they played a lengthy and pleasurable set of covers and mostly originals. While Kendall and Belen traded off amazing harmonizing vocals throughout the country set (the good kind of country, it should go without noting), with such highlights as “I Didn't Mean to Get Drunk Last Night But I Did,” my favorite might have been “Older Guys,” a Gram Parsons tune covered later by Teenage Fanclub and made to sound like an Uncle Tupelo country-punk rager by The Highballers.

Kendall reminded us that it had been 10 years since we celebrated the band's album release at the time at the old Iota in Arlington, Va. Here was what I wrote about that album at the time, in my Best New Albums of January 2013 column:

The Highballers - Soft Music and Hard Liquor

My son was in the process of getting married to The Highballers' showman-leader Kendall's daughter in their preschool class. That would have made this review a conflict of interest, but luckily it was clean-up time and the kids were unable to comlete the ceremony. Regardless, I saw this band live at Arlington's Artisphere and they were a force. It's easy to compare them to an offshoot of Johnny Cash and June Carter (what with the boy-girl vocals and all), but The Highballers are much funnier, have smoking and tasteful musicianship all around, have lots of songs about drinking (which is, let's admit, the point of honky tonk), and gloriously adds a modern twist ala Uncle Tupelo and The Bottle Rockets.

So they be improving (or just consumate musicianship-ers), but they are also clearly just naturals. Oh, and our kids may not be married yet, but they are still friends. 


Friday, October 14, 2022

Pavement arrives for the concert event of the year in DC

My friend Scoots came all the way from Southern Illinois to see this one, and it was well worth it. Pavement played at the Warner Theater in DC on October 6. After taking our 11th row seats, with the seven other friends in our group, next to one of my favorites, Mary Timony of Helium and Ex Hex, we settled into watching a fairly eclectic setlist that included many of the gems from Pavement's catalogue that we had been hoping to see.

Here's a little clip from the punk anthem that has become even more apropos in these politically divisive times, "Two States:"

Here's the setlist:

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