R.E.M.'s Murmur gets a mix of academic and popular dissection in the 33 1/3 series

Even after all these years, I have yet to decide whether Murmur or Reckoning is my favorite R.E.M. record. But here are my favorite tidbits learned about Murmur by reading J. Niimi’s entry into the 33 1/3 book series:

• Michael Stipe saw the word “murmur” on a list of the seven easiest words to pronounce.
• It was produced by Mitch Easter in Charlotte, N.C. Easter also produced Reckoning, Pavement’s Brighten the Corners, and many others.
• The studio where it was recorded was named Reflection and was mostly home to Southern gospel and soul recording projects. It had a certain church-like quality.
• Guitars “were kind of out at the time” but the band wanted to have very clean sounding guitars, not fuzzy. Each band member recorded in different rooms and Stipe set up under the stairs because he didn’t want anyone to see him singing.
• The second part of the book is the slog part for me, as Niimi mostly settles into a techie talk of what was happening with the gear and intricacies of each cut’s creation, with not nearly enough information about where these songs were originating from in the band member’s brains, which would have been more interesting to me.
• Next, the author ruminates about the times of Murmur. Precisely, 1983. He bought the cassette at a suburban John Hughes-like Chicago mall and later bought it on CD.
• The compelling and mysterious album cover art seemed perfect for R.E.M. Kudzu, a Japanese plant, had been placed throughout the South in the 1930s as part of the New Deal to get people working. The thought was that the plant would improve the soil throughout the region, but by the time of the album’s release, it had basically eaten the South.
• Niimi then takes a sidetrack to explore if Murmur truly fits the alleged categorization of “Southern Gothic,” and he makes a good case that the album artwork certainly fits that genre. But I’m less convinced that it's an adequate description of the music itself. Stipe’s obscure lyrical style does feel at times in the tradition of Edgar Allen Poe and post-Civil War. However, the music, for me, has always hit more accurately as jangle pop - nothing much gothic at all. R.E.M. also became a major foundation of “college rock,” which I'm defining as the kind of music one listens to while investigating one’s self much more independently for the first time as an early adult more removed from the influence of parents (and their old Crosby, Stills, Nash, and Young albums).
• A fairly long examination of Stipe’s “bad grammar” lyrics concludes that the words of the band’s songs helps the listener create their own narratives for what is happening. In that sense, I agree that abstract lyrics by bands like R.E.M., Pavement, and Wilco may very much be a plus towards the levels of how much i appreciate them.
• While he may have earlier been influenced by the likes of the New York Dolls, by the time of Murmur, the singer was moving away from their “brand of punk nihilism.”

Murmur only topped out at #36 on the U.S. album charts but was tops or among the tops for 1983 on most critic lists. While this is far from a definitive work on Murmur, it is a worthy read for R.E.M. fans.

Cleveland Conference Week Begins With Rock Hall City

"In my waxed up hair and my painted shoes," in the words of The Replacements, who remain a major glaring omission from the Rock and Roll Hall of Fame and whom I proudly sported on my shirt, I was ready for my Labor Day visit to the museum here near my Westin hotel in Cleveland.

I knew the three-hour opening-night reception at Content Marketing World, the conference I'm here to attend (featuring John Cleese, Nick Offerman, and Barenaked Ladies, I might add), would not be enough time to tour what is pretty much my ultimate museum. And I was right. I spent six hours there, mostly on the bottom floor and also watching films about American Bandstand, the Hall's inductees, and how "video killed the radio star."

The tour begins with odds and ends like Joan Jett's first car (a sweet black Jaguar), the Fender bass of Mike Mills of R.E.M., and Alex Van Halen's ridiculous mega-bass drums.

I think I realized that music from the Midwest might actually be my favorite rock geography. I stood in awe viewing a collage of Replacements flyers, a contract to play CBGB's under the band name Gary and the Boners, a bill for damages they caused at a 1985 UC-Davis gig, and penned lyrics to "Bastards of Young" and "Here Comes a Regular."

The reason a case could be made for the Midwest (despite my obvious bias, being from St. Louis): along with the Mats in this exhibit are Soul Asylum, Husker Du, the Jayhawks, Prince, Uncle Tupelo, Wilco, Son Volt, Violent Femmes, Liz Phair, Smashing Pumpkins, Cheap Trick, Afghan Whigs, and Guided By Voices (criminally absent from even having a piece in the museum unlike all these bands that are not inducted but at least represented).

The facility gives plenty of space to Jimi Hendrix, the Rolling Stones, and the Beatles.

Run D.M.C.'s Adidas, Madonna's trend-setting jewelry, the school-boy suit of AC/DC's Angus Young, Elvis' military jacket, Stevie Wonder's sunglasses, Joey Ramone's leather jacket, Kurt Cobain's guitar, a piece of Pink Floyd's Wall, and Michael Jackson's glove are just some of the iconic artifacts not to be missed.

Also, I found the note from Charles Manson to Rolling Stone's Jann Wenner offering interview material in exchange for a jailhouse subscription to be charming.

If you love rock music as much as I do, buy yourself a ticket to Cleveland. I can't believe the place has been open here on the shore of Lake Erie since 1986 and this was my maiden landing.

Beatles Action Figures Help Relive Childhood

The great thing about having a kid is that you can still find ways to be selfish. Or at least still find ways to spend money on consumer goods that serve no real utility.

Jackson (pictured left) loves the Beatles and R.E.M. and I think action figures are pretty sweet. Well, I have yet to find a Michael Stipe figure, but The Beatles' Yellow Submarine figures became a necessity.

I had originally planned just to get my favorite Beatle, Paul. But Jackson had other plans. Once he got that, and saw on the box that there were figures of the other three Beatles as well as the Blue Meanie, Jeremy Hilary Boob PhD (aka The Nowhere Man), Fred the Submarine Captain, the Glovey Lovey, and the submarine itself, it was all over.

As you can see behind him in his room, we now have the entire set (a couple of hundred dollars later). Jackson has progressed to the next stage of wanting doubles of all of them, and also the Lord Mayor. But the company inexplicably didn't make a figure of him (Jackson knows him from the bedtime book we have of the Yellow Submarine).

Luckily I can sidetrack him with the box of baseball cards I just bought him.